For the Birthplace of Country Music® Museum, I designed user experiences and interfaces for two interactive experiences. The first, "The Wayback Machine," I modeled after old-time roadside attractions: "raree shows" which were hand-cranked miniature shows with their own prosceniums, puppets, and stories. The second, an E-Postcard interactive touchscreen, lets visitors choose a custom-designed postcard and send to a friend.

This documentary, I'm Paying For This Microphone, which I produced and edited as my thesis film while completing my M.F.A. in film and electronic communication, examines America's presidential debates: perhaps the most watched, but least understood, television ritual we have in this country.

This piece features over six months of timelapse photography of the Fred Fisher and Partners-designed Sunnylands Center & Gardens under construction, as well as the planning and evolution of the desert gardens designed by the landscape architects at the Office of James Burnett.

Directed by Silvio Carillo, I edited this 21-minute Spanish-language documentary about a boy who went to the airport in Tegucigalpa to protest, and didn't return home alive: The Boy at the Airport.

While I was a graduate student at American University, I worked for AU's office of communication and marketing.  These motion graphics pieces were produced during my time there.

In addition to editing and motion graphics, I love nature and photography. This is a selection of photographs taken in some of the most beautiful arboretums and botanical gardens I've visited.

Riffing off the kid's game Hungry, Hungry Hippos I conceptualized a stop-motion cut-paper animation that would highlight the issue of overdraft fees in a lighthearted way.