After the state of Florida purged 100% of Florida voters from the Vote-By-Mail rolls in 2022, I worked with two nonprofits to produce several videos as part of a five-figure digital ad buy urging Floridians to re-enroll in Vote-By-Mail.
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In 2020, I edited and ran several digital ads on Facebook and Instagrams to bolster the fundraising for the Miami-Dade Democratic Party.
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This video showcases Citrix's new learning subscription model: 24/7/365 access, hands-on labs, instructor office hours, and certification prep and exams. My role: soup to nuts: taking the narration script from the marketing team, storyboarding, sourcing visuals and editing it all together.
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Sometimes you need a getaway. Editing these videos for the Ritz-Carlton Yacht Collection really drove that point home with beautiful destinations and gorgeous scenery that I reformatted for several different kinds of social media marketing.
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For the National Museum of the Marine Corps exhibition titled No Better Friend, I edited this 2-minute video highlighting the humanitarian and disaster relief missions that the US Marines have conducted around the world and here in the United States.
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How do you tell a story about the future of libraries while paying homage to the libraries of the past? Our answer: use paper textures to create a popup world of discovery, filled with the texts and discoveries of the past, while telling a story about how today’s researchers can discover their life’s passion in the library of the future.
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When you create media for museums, showing the media in situ contextualizes and provides references for what the full visitor experience feels like. That’s why I created these “sizzle reels” — mini museum tours that show off all the media produced for one exhibit or one museum. Enjoy!
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This spring I had the pleasure of joining the Hillmann & Carr team as we produced two pieces of media for the Library of Congress's special exhibition, Drawing Justice: The Art of Courtroom Illustration. For us, the challenge was to take existing archival footage and make it visually exciting. I did that by adding depth.
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For the Fort York National Historic Site in Toronto, Ontario, I created motion graphics which stretch across three 1080p projections. Using the full canvas for my motion graphics palette, I was able to create several epic motion graphics sequences.
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The Search for Justice is a 15-minute 3-screen documentary about the trials of the Oklahoma City bombers. I created a motion graphics framework for this piece, "building on" the layout of important newspaper pages, rotoscoping legal documents into archival footage, and creating a parallax or "2 1/2 D" effect for courtroom drawings.
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